Sara uribe antigona gonzalez pdf

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Sara uribe antigona gonzalez pdf


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As urgent as it is delicate, Antígona González summons the dead and brings them to our tables, for the day we cease sharing memory and language with them, we ourselves will become below i develop a reading of uribe’s poem that considers how the unique context out of which Antígona González emerges, that is, a debilitated mexi-can state that has yielded control to dark forces of global capitalism, shapes by ,  · Full-Text PDF. Similar Papers. Who says this? Antígona González is a book of refractions, appropriations, conjurations, fragmentations, of ghost cerements stitched and re-stitched, until there is no telling where one voice begins and another ends: Who is Antígona González and what are we going to do with all the other Antigones? Among those that would follow his now classic work is sara uribe’s Antígona González (),1 a book-length dramatic poem that draws once again on the sophoclean tragedy But Sara Uribe's book is also a palimpsest that rewrites and cowrites the juxtapositions and interweavings of all the other Antigones. Este libro está dedicado a todas las Antígonas y Tadeos, a los miles de desaparecidos en una guerra injusta y, por supuesto, inútil ANTÍGONA GONZÁLEZ by SARA URIBE. In this article we will analyse the use of intertextuality in Sara Uribe’s Antígona González Introduction. Sara Uribe first came to widespread notice with her collection Antígona González, in which she uses the myth of Antigone as a poetic metaphor to draw Antígona González, de Sara Uribe, se terminó de imprimir y encuadernar en el mes de diciembre de Para su composición se utilizó la familia tipográfica Sabon (10/15). “As the families of so many disappeared throughout Mexico, Sara Uribe´s Antígona González roams a convulsed land looking for the body of Tadeo, her brother. Abstract. From the foundational Antigone of Sophocles while Antígona González could be characterized broadly in these terms, uribe’s poetic re-reading of the Greek tragedy reveals a transformation of the play’s core agon.

 

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